Stranger Things Season 3 Complete Soundtrack Playlist

Stranger Things returns to Netflix for 2019 with its third season. The eight new episodes see the continuation of the adventures of Mike Wheeler, Dustin Henderson, Will Byers, Eleven as they battle a growing threat from the Upside Down in Hawkins.

As well as its loveable cast, supernatural plot, and its great mix of adventure, comedy and horror, one thing we all love about the hit series is the selection of music used. The show's soundtrack includes some of the most memorable hits from the 70s and 80s, as well as some slightly more obscure tracks. The music that featured in Stranger Things 2 can be found here.

The new season treats us to 80s favourites from Madonna, when we see Eleven getting a makeover in the mall soundtracked by 'Material Girl'. Plus, we've known since the first teaser trailer that we'll hear Motley Crue's 'Home Sweet Home' and The Who's 'Baba O'Riley'.

The season opens with a scene which show Russia's attempts to open up the gateway to the upside. 'Red Army is The Strongest' plays at the end of the scene. Putting this in context, although 1984 puts us into a heightened state of international tension as Russia and the USA were locked in a nuclear arms race. A race that Russia, or the USSR as it was then, including all the countries it had as ‘pact' with, would eventually lose. But not before both countries had spent decades trying to out-compete each other with ever more powerful weapons. That this season opens with the Russians trying to access the potential power of the Upside Down.

This plays early in the episode when Mike and Eleven are kissing in her bedroom. This power ballad was released by the Canadian singer in July 1985, reaching number 1 in Canada and number 3 in the USA. (It didn't chart in the UK!). Taken from Hart's album, Boy in the Box,  It was one of the big tracks of the summer that year in North America. Power ballads aren't really around much anymore, you can think of them as slowed down rock songs where the singer attempts to sing something ‘deep and meaningful' to their audience, usually about how in love they are, or how the person who loved them has left them and now they feel sad. So, a good track to soundtrack a teenage kiss! Corey Hart is best known for his single ‘Sunglasses at Night', which featured in season 1 of Stranger Things.

In the scene where Nancy and Jonathan wake up together in the will Byers' house. Gentlemen Afterdark are an indie rock band from Arizona who were active in the 1980s.

Billy struts poolside to the sound of 'Moving in Stereo', released in 1978, The Cars were a new wave American rock band active from 1976-1988. An instrumental version of this track appeared in classic 80s teen film Fast Times at Ridgmont High.

This song can be heard playing in Joyce's place of work, Mevald's General Store in Downtown Hawkin. It's playing in the background during her conversation with Hopper.

Foreigner plays while Billy is on lifeguard duty at the pool. A 1978 hit in the US, reaching 3 on the billboard chart, but only peaking at 42 in the UK. Foreigner are perhaps best known for their 1981 power ballad ‘Waiting For a Girl Like You'.

This power ballads plays while Mike and Eleven are once again getting cozy in her bedroom. This 1985 hit from American rockers REO Speedwagon was taken from their 1984 album Wheels are Turnin'. It hit the top spot in the US charts, but still reached 16 in the UK, back in the days when getting into the top 20 still meant something in terms of sales.

As Mrs Wheeler is getting glammed up for her date with Billy, Cutting Crew plays. Slightly out of time this track, as it was released by the UK pop rocker Cutting Crew in 1986 in the UK, and early 87 in the US. It reached number 1 in the US and number 4 in the UK. A little bit yucky, but apparently the singer and songwriter of the track, Nick Van Ede, came up with the title for the song whilst having sex with his girlfriend. And yet we were told men can't multitask.

Buoyed up with his success at splitting up Mike and Eleven, Hopper is singing along to You Don't Mess with Jim from Jim Croce. Got to the top of the charts in the USA in 1974, so we can assume this is a popular track of Hopper's from when he was younger.

This 1982 hit is taken from Vacation, the second album from all-female American new wave band The Go Go's. Members of the band included Belinda Carlisle who went on to a huge solo success in the 80s and Jane Wiedlin, who also had a big hit with Rush Hour in 1988.

Playing during the Hawkins Community Pool scene. This electro-pop ditty comes courtesy of Altitude Music, Matter of Love. 

Playing at the house of school teacher, Scott Clarke, when Joyce goes to visit him with a science question. Weird Al was responsible for a string of comedy/parody songs in the 80s. His two most famous tracks are probable Eat It, which rips off Beat It by Michael Jackson, and Fat, which parodies Bad by, yes, Michael Jackson. Having said that, he's released over 150 parody tracks in his career and Mr Yankovic is still going strong.

Whilst Nancy on the phone to rat exterminators that old school dance band track you can hear is Bosworth's Ballroom Orchestra playing Beautiful, Lovable.

This Madonna classic plays while Max gives Eleven a makeover at the mall. Everyone knows this one. Released as a single in 1985, it appeared on her 1984 album Like a Virgin. It's one of her earlier singles that really helped establish her as a global star. The producer was Nile Rogers, originally of Chic, but famous for his production with everyone from Bowie to Daft Punk. The video to Material Girl is a tribute to one of Madonna's favourite films, Gentlemen Prefer blondes, which starred Jane Russell and Marilyn Monroe. Madonna styled her appearance on in the video on Monroe.

Foreigner can be heard moments after Eleven dumps Mike and plays as we see Hopper arrests one of the protesters outside town hall. The second appearance for the soft-rock balladeers in this season of Stranger Things, this 1977 and is taken from their eponymous album also of 1977.

Madonna plays near the start of the episode while Max and Eleven are hanging out. Max dances around her bedroom to this 80s hit. The third single from her second album, Like a Virgin, Angel charted in April 1985, reaching number 5 in the charts in the UK and the USA. Like Material Girl, this track was also produced by Nile Rogers of Chic fame, and apparently is an ode to 'heavenly love' and was inspired by Madonna's catholic upbringing.

This track is playing when Hopper bursting in on Eleven and Max, called 'Phone to Phone' it was released in 2016 it's taken from an album of the same name.

This song plays as Eleven and Max play 'spin the bottle', while Hopper relaxes in his favourite armchair, satisfied that Mike won't be with Eleven this evening. Lovergirl was released in 1984, this was the first single taken from Teena Marie's album Starchild. It reached the dizzy heights of 76 in the UK charts, whilst managing a more respectable 4 in the US. 

When Dustin and Steve tail someone they think is a Russian spy, they unwittingly stumble aerobics class and this song is playing. Released in 1984 from Wham!'s second album, Make It Big, which to date has sold over ten million copies worldwide.

There's only one  song which features in this episode and it plays in the final scene of the episode when the Mind Flayer's gang are united. This song sets up a future meeting between Eleven and the 'evil forces' in Hawkins, we get that. The song itself was originally recorded in 1939 by Vera Lynn, known as 'the forces sweetheart' during World War Two as her songs of life back home were popular with troops abroad. We'll Meet Again in the original sense was meant to comfort people at times when loved ones could be facing death fighting the war in far off lands, not taking on demogorgons, but you get the idea.

Loverboy - 'Strike Zone'
When Todd's car pulls into the garage Loverboy plays, taken from the 1983 album 1983, Strike Zone got as far as number 23 on the US charts. Loverboy are a Canadian rock band who weirdly enough are still going. 

Sid Phillips and His Melodians - 'Boogie Man'
When Hopper and Joyce arrive at Murray's with Alexei, Boogie Man from Sid Phillips and His Melodians plays. Sid was a British jazz clarinettist and bandleader whop starting writing and producing music in 1930. 

The opening song of episode six, which plays during the scene at the town's county fair. Taken from their 1971 album, also called, originally enough, Possum River, the band managed to combine psychedelia and southern rock.

When Dr. Alexei decides not to escape and start the car at Murray Bauman's hideout, this song is playing. Taken from their Break Out album of 1983, of particular relevance here is that the same track is used during a car chase scene in the Eddy Murphy film Beverley Hills Cop, released in December 1984. The track got to number 6 in the USA, and 31 in the UK.

This song plays during Mayor Kline's visit to the 4th of July fair. Taken from Mellencamp's 1985 album Scarecrow, the single, released in 1986,  got to the number 2 spot in the US charts, whilst hitting 67 in the UK charts. It's fair to say Mellencamp's particular brand of heartland rock, obsessed with the blue collar concerns of middle America, hasn't really translated that well outside the US, possibly because a lot of the same themes are touched on, arguably to a much better degree, by Bruce Springsteen, and even Tom Petty and the Heartbreakers.

This places during the scene where Erica accusing Dustin of making up his girlfriend Suzie, while in the car with Steve. This classic was originally released in 1967 peaking at 6 on the US Billboard chart, and peaking at 11 in the UK in 1969 when it got a release there. Jackie Wilson died in 1984, but the single got a re-release in the UK in 1987 and got all the way to 15 on the charts. There was a big fad for classic Motown and Atlantic soul tracks getting re-released in the UK in the late 80s, due a to a combination of being used on Levi’s jeans adverts, film scores, and a lot of the chart music being pants at the time. This track was also used at a key plot point in Ghostbusters II, something to do with slime in the Statue of Liberty.

Dustin and Suzie perform this song together as a duet via their ham radios. Yes, it's NeverEnding Story, the title song to the 1984 fantasy film record by Kajagoogoo's Limahl. The track got into the top ten around the world, got to 4 in the UK and 17 in the US.

Dirge plays when Joyce is closing the gate. Survive is actually the band that the composers of the Stranger Things soundtracks, Kyle Dixon and Michael Stein, are in when they’re not doing all things Stranger Things.

Peter Sandberg - 'Deep'
This intimate piece of music that plays while Eleven is reading Hopper's letter is from Swedish multi-instrumentalist and composer Peter Sandberg. His debut album Motion was released in March this year, and Deep is the new single taken from it. This is a great example of very subtle piece of music being used to underscore the moment. Stranger Things is a series based on some pretty impressive set pieces, terrible violence, deaths, dimension spanning beasts, and comic relief, but at its heart it relies on the trust and friendship of our band of heroes. Hopper opening up in the letter about how the grief of losing his daughter had changed him, had made him bury his emotions, only for them to come out when El came into his life is a very touching point to end on.

The final song of the season. It plays while Eleven reads Hopper's letter and we see Joyce leave her home for the final time. Taken from Gabriel’s 2010 album Scratch My Back, this track is a cover of David Bowie’s original, released in 1977. Stranger Things fans may remember this track being used during the third episode of season 1, when they believe the dead body of Will Byers was recovered.